Sigma 35mm F1.4 DG II Art vs Sony FE 24-50mm f/2.8 G
The bottom line
The Sony FE 24-50mm f/2.8 G is a zoom (24-50mm) and the Sigma 35mm F1.4 DG II Art is a 35mm prime. The zoom gives you framing flexibility from one lens; the prime trades that for a fixed focal length that's usually brighter (f/1.4 vs f/2.8) and lighter to carry. Choose flexibility or a fast single focal length.
Choose the Sigma 35mm F1.4 DG II Art if…
- ✓You want more light and background blur — f/1.4 is faster than f/2.8, better for low light and subject separation.
- ✓You prefer a fast, compact single focal length — a 35mm prime over a zoom.
Choose the Sony FE 24-50mm f/2.8 G if…
- ✓You need more reach — it goes to 50mm vs 35mm for distant subjects, wildlife and sport.
- ✓You shoot wide — it starts at 24mm vs 35mm for landscapes, interiors and architecture.
- ✓You want one-lens flexibility — a 24-50mm zoom covers what the fixed 35mm can't reframe.
- ✓You like close-focus work — 0.3x magnification vs 0.19x.
Where they differ
- ›Aperture: the Sigma 35mm F1.4 DG II Art opens to f/1.4 vs the Sony FE 24-50mm f/2.8 G's f/2.8 — more light and shallower depth-of-field.
- ›Focal range: Sigma 35mm F1.4 DG II Art is 35mm, Sony FE 24-50mm f/2.8 G is 24-50mm — different framing and reach.
- ›Type: the Sony FE 24-50mm f/2.8 G is a zoom (flexible framing), the Sigma 35mm F1.4 DG II Art a prime (one focal length, usually brighter and lighter).
- ›Weight: the Sony FE 24-50mm f/2.8 G is 440g (15.5 oz) vs 530g (1.17 lb) — you'll feel the difference handheld.
Frequently asked
Is the Sigma 35mm F1.4 DG II Art or the Sony FE 24-50mm f/2.8 G better?
The Sony FE 24-50mm f/2.8 G is a zoom (24-50mm) and the Sigma 35mm F1.4 DG II Art is a 35mm prime. The zoom gives you framing flexibility from one lens; the prime trades that for a fixed focal length that's usually brighter (f/1.4 vs f/2.8) and lighter to carry. Choose flexibility or a fast single focal length.
Who should choose the Sigma 35mm F1.4 DG II Art?
Choose the Sigma 35mm F1.4 DG II Art if you want more light and background blur — f/1.4 is faster than f/2.8, better for low light and subject separation. Choose it if you prefer a fast, compact single focal length — a 35mm prime over a zoom.
Who should choose the Sony FE 24-50mm f/2.8 G?
Choose the Sony FE 24-50mm f/2.8 G if you need more reach — it goes to 50mm vs 35mm for distant subjects, wildlife and sport. Choose it if you shoot wide — it starts at 24mm vs 35mm for landscapes, interiors and architecture. Choose it if you want one-lens flexibility — a 24-50mm zoom covers what the fixed 35mm can't reframe. Choose it if you like close-focus work — 0.3x magnification vs 0.19x.
What is the main difference between the Sigma 35mm F1.4 DG II Art and the Sony FE 24-50mm f/2.8 G?
Aperture: the Sigma 35mm F1.4 DG II Art opens to f/1.4 vs the Sony FE 24-50mm f/2.8 G's f/2.8 — more light and shallower depth-of-field.
| Product | ||
|---|---|---|
| Optical Design | ||
| Focal Length | 35mm | 24-50mm |
| Lens Type | Prime | Zoom |
| Optical Elements | 15 | 16 |
| Optical Groups | 12 | 13 |
| Aperture & Iris | ||
| Maximum Aperture | f/1.4 | f/2.8 |
| Minimum Aperture | f/16 | − |
| Aperture Blades | 11 | 11 |
| Rounded Aperture | Yes | Yes |
| Coverage & Angle | ||
| Format Coverage | Full-Frame | Full-Frame |
| Lens Mount | Sony E | Sony E |
| Angle of View | 63.4° | 84° – 47° |
| 35mm Equivalent | − | − |
| Focus | ||
| Autofocus | Yes | Yes |
| Focus Motor | HLA | Linear |
| Focus Limiter | No | No |
| AF/MF Switch | Yes | Yes |
| Min Focus Distance | 28 cm | 19 cm |
| Max Magnification | 0.19x | 0.3x |
| Stabilization & Video | ||
| Optical Stabilization | No | No |
| Aperture Ring | Yes | Yes |
| Declickable Aperture | Yes | Yes |
| Parfocal | No | No |
| Internal Zoom | No | No |
| General | ||
| Price (MSRP) | $1,059 | $1,099 |
| Filter Size | 67mm | 67mm |
| Diameter | 73mm | 74.8mm |
| Length | 94mm | 92.3mm |
| Weight | 530g (1.17 lb) | 440g (15.5 oz) |
| Weather Sealed | Yes | Yes |
| Tripod Collar | No | No |
